Metopolis 1927 Watch original black-and-white or Metropolis (1927) Full Movie | 4K Color Remastered

 

"Metropolis" (1927) is a groundbreaking silent science fiction film directed by Fritz Lang. Set in a dystopian future, the story takes place in the eponymous city, a sprawling metropolis divided into two classes: the wealthy elite who live in luxury above ground and the oppressed working class who toil in harsh conditions below ground.

The narrative centers around Freder, the privileged son of the city's ruler, who becomes fascinated by Maria, a charismatic woman from the lower depths of the city. Through his encounters with Maria and witnessing the plight of the workers, Freder becomes aware of the vast inequality and exploitation present in Metropolis.

Meanwhile, Freder's father, Joh Fredersen, the mastermind behind the city's oppressive system, enlists the help of a mad scientist named Rotwang to create a robot in the likeness of Maria. Fredersen intends to use the robot to manipulate and control the workers, inciting discord among them and preventing any potential uprising.

As tensions escalate between the ruling class and the workers, the false Maria incites chaos and violence, leading to a dramatic confrontation between the two factions. Freder, Maria, and the workers ultimately unite in a struggle for justice and equality, culminating in a powerful and visually stunning climax that explores themes of class struggle, technology, and the human spirit.

"Metropolis" is celebrated for its groundbreaking special effects, innovative cinematography, and ambitious storytelling, making it one of the most influential and enduring films in the history of cinema.

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A Bucket of Blood 1959

A Bucket of Blood is a 1959 American horror comedy film directed by Roger Corman. The film, starring Dick Miller, is set in the beatnik culture of the West Coast in the late 1950s. Produced on a budget of 50,000 dollars, the film was shot in five days and features many of the low-budget aesthetics commonly associated with Corman's work. Written by Charles B. Griffith, the film is a darkly comic satire about a dim-witted, impressionable young waiter in a bohemian café who is hailed as a brilliant sculptor when he accidentally kills his landlady's cat and covers her body with clay to cover the tracks. When he is pressured to create similar works, he becomes a serial killer

A Bucket of Blood was the first of three films Corman and Griffith made together in the comedy genre, which also included The Little Shop of Horrors (which was shot on the same sets as A Bucket of Blood) and Creature from the Haunted Sea. Corman had not previously dabbled in this genre, although previous and future Corman productions in other genres contained comedic elements. The film is a satire not only of Corman's own films, but also of the world of abstract art and low-budget teen movies of the 1950s. The film was also praised in many circles as an honest, undifferentiated portrayal of the many facets of beatnik culture, including poetry, dance and a minimalist lifestyle.[citation needed] The plot has similarities to Mystery of the Wax Museum (1933). By setting the story in the Beat milieu of 1950s Southern California, however, Corman creates a completely different atmosphere than in the earlier film

Under the direction of

Roger Corman

Written by

Charles B. Griffith

Produced by

Roger Corman

In the leading roles

Dick Mueller

Barboura Morris

Antony Carbone

Julian Burton

Ed Nelson

John Brinkley

Cinematography Jacques R. Marquette

Adapted by Anthony Carras

Music by Fred Katz

Production company Alta Vista Productions

Distributed by American International Pictures

Release Date October 1959

Running time 65 minutes

Country United States

Language English

Budget $50,000

Box office takings $180,000

A Bucket of Blood 1959 film

 

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Summary of the plot

One evening, after hearing the words of Maxwell H. Brock, a poet performing at The Yellow Door café, the obtuse, impressionable busboy Walter Paisley returns home and attempts to create a sculpture of the hostess Carla's face. He pauses when he hears the meowing of Frankie, the cat of his nosy landlady Mrs. Surchart, who has somehow become entangled in Walter's wall. Walter tries to free Frankie with a knife, but he accidentally kills the cat when he stabs the knife into the wall. Instead of giving Frankie a proper burial, Walter covers the cat with clay and leaves the knife stuck in it.

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Maxwell recites poetry with saxophone accompaniment in a beatnik coffeehouse.

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Carla and Leonard admire Walter's "sculpture", the dead cat.

The next morning, Walter shows the cat to Carla and his boss Leonard. Leonard rejects the strangely morbid work, but Carla is delighted and persuades Leonard to display it in the café. Walter receives praise from Will and the other beatniks in the café. An admirer, Naolia, gives him a vial of heroin to remind him of her. Without knowing what it is for, he takes it home and is followed by Lou Raby, an undercover agent, who wants to arrest him for drug possession. In a blind panic, believing Lou is about to shoot him, Walter hits him with the frying pan he is holding and kills Lou on the spot.

Meanwhile, Walter's boss discovers the secret of Walter's "dead cat" part when he sees fur sticking out of it. The next morning, Walter tells the café patrons that he has a new piece, which he calls Murdered Man. Both Leonard and Carla accompany Walter to the unveiling of his latest work and are both amazed and horrified. Carla criticizes it as "vile and eloquent" and worthy of a public exhibition. Leonard is horrified by the idea, but recognizes the potential for riches if he plays his cards right.

The next evening, Walter is treated like royalty by almost everyone, with the exception of a blonde model called Alice, who is very unpopular with her colleagues. Walter later follows her home and confronts her, explaining that he wants to pay her for her modeling work. In Walter's apartment, Alice strips naked and sits down on a chair, where Walter strangles her with her scarf. Walter makes a statue of Alice which, when unveiled, impresses Brock so much that he throws a party at the Yellow Door in Walter's honor. Dressed as a carnival jester, Walter is entertained to excess.

After the party, Walter later stumbles into his apartment. Still drunk, he decapitates a factory worker with his own circular saw to make a bust. When he shows Leonard the head, the boss realizes he must stop Walter's murderous rampage and promises Walter an exhibition to get rid of his latest "sculptures". At the exhibition, Walter proposes to Carla, but she rejects him. 

The Man with the Golden Arm 1955 film by Otto Preminger

 

"The Man with the Golden Arm" is a 1955 film directed by Otto Preminger, based on the novel of the same name by Nelson Algren. The film stars Frank Sinatra as Frankie Machine, a talented but troubled jazz drummer and card dealer who struggles with addiction to heroin. 

The story follows Frankie's attempts to break free from his drug habit after returning from prison. He dreams of becoming a professional drummer, but his addiction, along with pressures from his former employer and his manipulative wife, make it difficult for him to stay clean. As Frankie tries to rebuild his life, he faces numerous challenges and temptations, including his old friends from the neighborhood who are still involved in criminal activities.

Throughout the film, Frankie grapples with his inner demons and the external forces that threaten to pull him back into a life of addiction and crime. His journey is a harrowing exploration of the complexities of addiction and the struggles of trying to overcome it against the odds. The film is renowned for its gritty portrayal of urban life and its unflinching depiction of addiction, earning critical acclaim and multiple Academy Award nominations, including Best Actor for Frank Sinatra.

"The Man with the Golden Arm" (1955) is a classic film directed by Otto Preminger, starring:

1. Frank Sinatra as Frankie Machine

2. Eleanor Parker as Zosch Machine

3. Kim Novak as Molly

4. Arnold Stang as Sparrow

5. Darren McGavin as Louie

6. Robert Strauss as Schwiefka

7. John Conte as Dr. Lennox

8. Doro Merande as Vi

9. George E. Stone as Sam Markette

10. George Matthews as Williams

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The Virus (2013)

 

 The Virus (2013)

In the midst of a bustling metropolis, a mysterious and deadly threat emerges in the form of a mutant virus with a 100% fatality rate. Lee Myung-hyun, a seasoned leader of a specialized disease control task force, finds himself thrust into a race against time as the virus spreads rapidly, claiming lives within a mere three days of infection.

As panic grips the populace and authorities scramble to contain the outbreak, Lee and his team embark on a perilous mission to uncover the origins of the virus and develop an antidote. Faced with daunting challenges and mounting pressure, they must navigate through the chaos while battling against the relentless advance of the deadly pathogen.

With each passing moment, the stakes grow higher as the virus threatens to engulf not only the city but the entire world in its deadly grip. Lee and his team must confront their own fears and limitations as they confront an adversary unlike any they have encountered before.

As the clock ticks down and the fate of humanity hangs in the balance, Lee and his allies must summon every ounce of courage and resourcefulness to stem the tide of destruction and find a way to save mankind from the brink of extinction. But in a world where every second counts and trust is a scarce commodity, they must remain vigilant against unseen dangers and betrayal from within their own ranks.

The Virus is a gripping tale of resilience, sacrifice, and the unyielding spirit of humanity in the face of unimaginable adversity. Will Lee and his team succeed in their desperate quest for a cure, or will they fall victim to the merciless onslaught of the deadliest plague the world has ever known?

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The Werewolf Versus the Vampire Woman (1971) 18 05/17/1971 (ES) Horror 1h 35m

 

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"The Werewolf Versus the Vampire Woman" (1971) is a horror film that pits two iconic monsters against each other in a battle for supremacy. Set in 1970s Europe, the story follows the discovery of the tomb of a centuries-old Countess, believed to be a vampire. Two adventurous young women, Elvira and Genevieve, stumble upon the tomb and unwittingly awaken the Countess from her slumber.

As they delve deeper into the mystery surrounding the Countess, they encounter Waldemar Daninsky, a cursed man who transforms into a werewolf under the light of the full moon. Daninsky, tormented by his affliction, becomes entangled in the women's quest and their confrontation with the vampire.

As the ancient feud between werewolves and vampires reignites, Elvira, Genevieve, and Daninsky find themselves in a desperate battle for survival against the bloodthirsty Countess and her minions. With each passing night, the tension escalates, leading to a climactic showdown between the werewolf and the vampire woman, where only one will emerge victorious.

Filled with suspense, gore, and supernatural intrigue, "The Werewolf Versus the Vampire Woman" is a classic horror tale that explores the timeless conflict between two of folklore's most fearsome creatures.

Slipstream 1989

 

"Slipstream" is a 1989 science fiction film directed by Steven Lisberger. Set in a post-apocalyptic world where a catastrophic ecological disaster has left the Earth devastated, the story follows a disparate group of survivors struggling to navigate the dangerous landscape.

The protagonist is Byron, a mysterious and enigmatic traveler who possesses the ability to manipulate the powerful wind currents known as the "slipstream." Along with his companion, a young runaway named Matt, Byron embarks on a journey across the desolate wasteland, pursued by both law enforcement and ruthless bandits.

As they travel, Byron and Matt encounter a colorful array of characters, including a seductive woman named Belitski, a ruthless bounty hunter named Tasker, and a group of eccentric scavengers led by Ariel. Along the way, they must confront their own inner demons and grapple with the moral complexities of survival in a world on the brink of collapse.

As the journey unfolds, secrets are revealed, alliances are tested, and the true nature of Byron's powers comes to light. Ultimately, "Slipstream" explores themes of redemption, human nature, and the fragile balance between civilization and chaos in a world on the edge of oblivion.